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#1 History of the swing era

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History of the swing era

Swingin musicboth the rhythmic impetus of jazz music and a specific jazz idiom prominent between about and the mids—years sometimes called the swing era. Swing rhythms defy any narrower definition, and the music has never been notated exactly. This three-hour weekly program devoted an…. Swing is sometimes considered a partial dilution of the jazz tradition because it organized musicians into larger groups commonly 12 to 16 players and required them to play a far higher proportion of written music than had been thought compatible with the fundamentally improvisatory character of jazz. Nevertheless, it was the first jazz idiom that proved commercially successful. The swing era also brought respectability to jazz, moving into the ballrooms of America a music that until that time had been associated with the brothels of New Orleans and the Prohibition-era gin mills of Chicago. History of the swing era big swing bands organized their players into sections of brass, reeds, and rhythm and hired skilled orchestrators to write music for them. This structure encouraged a relatively simple compositional technique: Henderson and his brother Horace remained among the most influential swing arrangers of the following decade. Equally as important was Duke Ellingtonwhose music was infused with a unique range of harmonies Fruits basket yaoi doujin sound colours. The swing era was History of the swing era many ways an exercise in public relations. To succeed on a national scale, a Sensor performance models its leader—had to History of the swing era commercially exploitable; in this period of U. Although several black orchestras—e. Concurrent with the big-band craze came a flowering of the solo art among both small-group musicians, such as pianists Fats Waller and Art Tatum and guitarist Django Reinhardtand big-band players with after-hours careers. The swing era was the last great flowering of jazz...

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Swing music , or simply swing , is a form of popular music developed in the United States that dominated in the s and s. The name swing came from the 'swing feel' where the emphasis is on the off—beat or weaker pulse in the music. Swing bands usually featured soloists who would improvise on the melody over the arrangement. The danceable swing style of big bands and bandleaders such as Benny Goodman was the dominant form of American popular music from to , a period known as the swing era. The verb "to swing " is also used as a term of praise for playing that has a strong groove or drive. Swing has roots in the s as larger dance music ensembles began using new styles of written arrangements incorporating rhythmic innovations pioneered by Louis Armstrong and Earl Hines. A typical song played in swing style would feature a strong, anchoring rhythm section in support of more loosely tied wind and brass. The most common style consisted of theme choruses and choruses with improvised solos within the framework of his bandmates playing support. Swing music began to decline in popularity during World War II because of several factors. Swing influenced the later styles of traditional pop music , jump blues , and bebop jazz. Swing music saw a revival in the late s and s with the resurgent Count Basie and Duke Ellington orchestras, and with pop vocalists such as Frank Sinatra and Nat King Cole. Swing blended with other genres to create new styles. In country music , artists such as Jimmie Rodgers , Moon Mullican and Bob Wills introduced many elements of swing along with blues to create a genre called western swing. Gypsy swing is an outgrowth of Venuti and Lang's jazz violin swing. Swing...

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The music Americans call jazz has many origins and many forms. Music historians have a difficult time fixing the origins of musical styles with any precision. Many American musicians, no matter what their backgrounds, have had "big ears"--they have tended to listen to many forms of music and adapted them freely. One form of American music, emerging in the years just before World War One, became known as "dixieland. Typically, it involved group improvisation and a loose, freewheeling, "swinging" style. The Original Dixieland Jazz Band, and all-white group, gave the music its name in the popular markets. Louis Armstrong and Bix Biederbecke became most famous playing in this mode of dixieland jazz. By the late twenties, musicians had begun modifying the forms of "jazz. Swing bands typically used an upright or double bass instead of the tuba which had often characterized dixieland, and played repeated "riffs" to give the music its propulsive rhythmic force. Swing appears to have emerged from an adaptation of the commercially successful but bland, neo-jazz played by show and dance orchestras like Paul Whiteman's. In the hands of brilliant arrangers like Fletcher Henderson, however, swing combined harmonic sophistication with danceable rhythms and compelling individual improvisations. Swing bands ranged from "Kansas City" style groups like Count Basie's, which emphasized a very bluesy, intensely riff oriented style, to New York based bands like Duke Ellington's or Glenn Miller's which experimented with a more orchestral range of colors. For many students of American music, "big band" swing represents a pinnacle of American musical form, combining harmonic sophistication, improvisational brilliance, and danceable accessibility. Others have criticized swing as overly commercial, regimented, and mechanical. Whatever its aesthetic merits, swing music characterized the popular culture of the s. The music played constantly on records and on radio, and reached virtually every city...

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The sound of swing, which utterly dominated the American popular-music scene in the late s and early s, instantly evokes images of tuxedo-clad Big Bands and dance floors crowded with exuberant jitterbugs dancing the Shag and the Lindy Hop. While the roots of swing music clearly lie in earlier forms of jazz—and particularly in African-American jazz performance styles—swing as we know it may just have been born at a specific time and in a specific place, with an electric performance by one particular Big Band for one particularly enthusiastic audience. The time and place was August 21, , at the Palomar Ballroom in Los Angeles, California , where Benny Goodman and his band emphatically opened the Swing Era with an exuberant performance witnessed by thousands of young fans in the live audience and millions more tuning in to a live radio broadcast. Benny Goodman had been a successful featured soloist in various prominent bands and the leader of his own trio and big band for several years before making his breakthrough at Palomar. The ninth of 12 children in a large Jewish family in Chicago , Goodman had been sent by his father at the age of 10 in to the local synagogue for clarinet lessons in the hopes that a music career might provide him a way out of poverty. And while this limited their exposure on the East Coast, Goodman would soon discover a huge new fan base when he took his group west to California. It was a promising start to an engagement Goodman hoped would salvage a summer tour otherwise judged a failure. Eisenhower signs a proclamation admitting Hawaii into the Union as the 50th state. The president also issued an order for an American flag featuring 50 stars arranged in staggered rows: On this day...

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The Jazz Age -- the s -was marked by Dixieland and hot jazz bands, the flapper, the Charleston, the creation of Lindy Hop, and the very beginnings of swing jazz music, among other things. Between and , the more common early types of American music included concert bands and Dixieland -- an early style of jazz. These early types were distinguished by their ensemble playing, and out of which developed the hot jazz bands of the mid to late 20s. These hot jazz bands, with the help of Louis Armstrong, would evolve into swing jazz music of the 30s. Changes that marked the introduction of swing jazz included the use of a more free flowing rhythm using four beats to a bar instead of the two beats that was common in New Orleans Dixieland jazz. The tuba of the older styles was replaced by a string bass. Another change was the common use of riffs, or short melodic ideas that were used repeatedly in call-and-response patterns between instrumental sections of a band. The sections were often composed of a brass section such as trumpets and trombones; and a reed section with instruments such as the saxophone and the clarinet. The call-and-response style was much in imitation to call-and-response style found in the African-American Southern Baptist churches. Many of the early swing jazz bands grew to have 16 or more instruments playing with and against each other. At this point, many of these swing jazz big bands rightly referred to themselves as orchestras. There were different styles of swing jazz. There were the hot bands, such as Count Basie and Tommy Dorsey, which often played quick hard-driving jump tunes. There were also the sweet bands, such as the Glenn Miller Orchestra, who played less improvised tunes with more emphasis on sentimentality....

History of the swing era

Swing Dance isn’t Just History – it’s still evolving!

Time Period: Beginning of swing bands The Swing Era Three Major Bands in New York in the s. Charlie Johnson; McKinney's. The history begins with the original Swing era in s and 30s America, when Big Bands took over pop culture. Swing music has lived on ever since, influencing each new generation of music. Swing dance is a broad term to describe a variety of partner dances evolving from the s to the present day. The music Americans call jazz has many origins and many forms. Music historians have a difficult time fixing the origins of musical styles with any precision.

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